Metafiction and Convention in “The Women I Love” – Chicago Review of Books
[ad_1] Van Gogh’s self-portraits are among his most famous and beloved works; presidential autobiographies fly off the shelves when they inexorably appear a year out of office. For the novelist, however, no such allowances are made. A common refrain from that amorphous, ominous entity public opinion seems to be that novelists are far too interested … Read more