At the Edge of the Plausible in “Mothers and Dogs” – Chicago Review of Books

At the Edge of the Plausible in “Mothers and Dogs” – Chicago Review of Books

[ad_1] An avid reader of the short story will soon learn the basic elements that make the form tick: an irresistible opening line, clearly established characters, a central conflict, well-placed details, a satisfying ending. For the writer, these are more of a hypothesis than a formula. Each element can be elusive in its own way, … Read more

Mothers, Daughters, and Desperate Performances in “My Phantoms” – Chicago Review of Books

Mothers, Daughters, and Desperate Performances in “My Phantoms” – Chicago Review of Books

[ad_1] I first came across Gwendoline Riley’s work via Andy Miller’s glowing recommendation on his podcast Backlisted, in which he praises My Phantoms, her latest novel, as “a page-turning discomfort read.” And it is uncomfortable. It’s also darkly funny and incisive. But perhaps the word that best describes it is cold. Over the course of … Read more

The Tension at the Heart of Pop in “Warhol’s Mother’s Pantry” – Chicago Review of Books

The Tension at the Heart of Pop in “Warhol’s Mother’s Pantry” – Chicago Review of Books

[ad_1] “Acountryisclosingitsborder… (This is not today.)” “Pandemic/persecution/(The country has no conscience)… (This is not today).” In the first pages of M.I. Devine’s debut collection of experimental essays, Warhol’s Mother’s Pantry: Art, America, and the Mom in Pop, he calls back to the political turmoil of the early 1920s, when a pandemic raged and the U.S. … Read more