For The Book Obsessed
[ad_1] An avid reader of the short story will soon learn the basic elements that make the form tick: an irresistible opening line, clearly established characters, a central conflict, well-placed details, a satisfying ending. For the writer, these are more of a hypothesis than a formula. Each element can be elusive in its own way, … Read more
[ad_1] We’re excited to reprint “A Dream of Electric Mothers,” the 2023 Nebula Award–nominated novelette by Wole Talabi, first published in Africa Risen: A New Era of Speculative Fiction, the NAACP Image Award–nominated anthology edited by Sheree Renée Thomas, Oghenechovwe Donald Ekpeki, and Zelda Knight. Two hours into the third session of our … Read more
[ad_1] While Gayle Brandeis was writing her best-known book, The Art of Misdiagnosis, she attended a retreat at St. Mary’s Art Center in Virginia City, Nevada. Settling into her Victoriana room for the weekend, she prepared to transcribe her mother’s documentary, the last artwork her mother produced before hanging herself. Brandeis didn’t believe in the … Read more
[ad_1] I first came across Gwendoline Riley’s work via Andy Miller’s glowing recommendation on his podcast Backlisted, in which he praises My Phantoms, her latest novel, as “a page-turning discomfort read.” And it is uncomfortable. It’s also darkly funny and incisive. But perhaps the word that best describes it is cold. Over the course of … Read more
[ad_1] In her essay “Fairy Tale Is Form, Form Is Fairy Tale,” Kate Bernheimer balks at critics who pan fairy tales, fabulism, and other genres where magic insinuates itself in everyday experience. Bernheimer instead points out that the fairy tale’s grimness and infinite possibilities energize even writers of literary realism and every fiber of their … Read more
[ad_1] In this latest collection Siri Hustvedt demonstrates her tremendous range as an essayist, with topics ranging from motherhood to reading during a pandemic to misogyny to Jane Austen’s expertise in rhetoric. Even within individual essays in Mothers, Fathers, and Others she jumps from topic to topic, and this diversity presents a dichotomy of sorts. … Read more
[ad_1] “Acountryisclosingitsborder… (This is not today.)” “Pandemic/persecution/(The country has no conscience)… (This is not today).” In the first pages of M.I. Devine’s debut collection of experimental essays, Warhol’s Mother’s Pantry: Art, America, and the Mom in Pop, he calls back to the political turmoil of the early 1920s, when a pandemic raged and the U.S. … Read more