A Failure of Overmining in “The Caretaker” – Chicago Review of Books
[ad_1] D Doon Arbus’s debut novel, The Caretaker, feels both firmly grounded and strangely out of time. It’s textured, densely, with brick and cloth, with an overabundance of artifactual detritus, furtively character-driven, and yet one could easily forget what century it’s from. Arbus embraces a slightly awkward distance from her subjects, enough to leave the … Read more