Confronting the Injustice in our Justice System in “They Can’t Take Your Name” – Chicago Review of Books

Confronting the Injustice in our Justice System in “They Can’t Take Your Name” – Chicago Review of Books

[ad_1] It’s been thirty years since the Father’s Day Bank Massacre of 1991, a robbery at the United Bank Tower in Denver which ended in the murders of four bank guards. The prime suspect, a former cop, was acquitted at trial. Anyone familiar with the incident can easily trace the similar threads that Robert Justice … Read more

Loss and Longing in Cara Blue Adams’ “You Never Get It Back” – Chicago Review of Books

Loss and Longing in Cara Blue Adams’ “You Never Get It Back” – Chicago Review of Books

[ad_1] The first story in any collection sets the tone and expectations, so Cara Blue Adams’ decision to begin her linked collection, You Never Get It Back, with a rather metaphorical story is striking. But Adams isn’t afraid to make bold choices in her fiction, and it’s little wonder this debut collection won this year’s … Read more

An Interview with Joe Moshenska – Chicago Review of Books

An Interview with Joe Moshenska – Chicago Review of Books

[ad_1] Oxford Professor of English Literature Joe Moshenska has done something arguably long overdue in Milton studies. Approaching the Olympian of English letters from a mix of new historical and reader-response positions, Moshenska buries himself deeply into an imagined psyche of the poet and polemicist, propagandist and Latinist, John Milton while also digging down into … Read more

The Dichotomy of Range in “Mothers, Fathers, and Others” – Chicago Review of Books

The Dichotomy of Range in “Mothers, Fathers, and Others” – Chicago Review of Books

[ad_1] In this latest collection Siri Hustvedt demonstrates her tremendous range as an essayist, with topics ranging from motherhood to reading during a pandemic to misogyny to Jane Austen’s expertise in rhetoric. Even within individual essays in Mothers, Fathers, and Others she jumps from topic to topic, and this diversity presents a dichotomy of sorts. … Read more

Congrats to the Winners of the 2021 CHIRBy Awards! – Chicago Review of Books

Congrats to the Winners of the 2021 CHIRBy Awards! – Chicago Review of Books

[ad_1] On December 9, 2021, we celebrated the 2021 CHIRBy Awards, co-presented by StoryStudio Chicago. Now in its sixth year, the CHIRBy Awards is a celebration of the Chicago literary community that honors the best Chicago-focused fiction, nonfiction, poetry, and short essays. Congratulations to this year’s winners and to our incredible finalists! (You can read … Read more

Exploring a Man’s World in “Sea State” – Chicago Review of Books

Exploring a Man’s World in “Sea State” – Chicago Review of Books

[ad_1] Tabitha Lasley’s new memoir is built upon a flawed premise. When she explains her plan to travel to Aberdeen and talk with offshore workers to discover “what men are like with no women around,” her editor points out “you’ll be around.” One of the men Lasley interviews responds to the same explanation of the … Read more

Addiction, Recovery and Motherhood in Lisa Harding’s “Bright Burning Things” – Chicago Review of Books

Addiction, Recovery and Motherhood in Lisa Harding’s “Bright Burning Things” – Chicago Review of Books

[ad_1] Lisa Harding’s second novel, Bright Burning Things, follows single mother Sonya Moriarity, as she slides in the abyss of alcohol abuse, enters a recovery program, and attempts to rebuild her life. The emotional center of the novel is Sonya’s love for her son, Tommy, and her internal struggle to be the mother he needs.  … Read more

Metafiction and Convention in “The Women I Love” – Chicago Review of Books

Metafiction and Convention in “The Women I Love” – Chicago Review of Books

[ad_1] ​​Van Gogh’s self-portraits are among his most famous and beloved works; presidential autobiographies fly off the shelves when they inexorably appear a year out of office. For the novelist, however, no such allowances are made. A common refrain from that amorphous, ominous entity public opinion seems to be that novelists are far too interested … Read more