An Interview with Lesley Harrison on “Kitchen Music” – Chicago Review of Books

An Interview with Lesley Harrison on “Kitchen Music” – Chicago Review of Books

[ad_1] “My house holds sound / like the sea inside a shell,” writes Lesley Harrison in the poem “Convergence.” And this is the sense one has while reading Kitchen Music, a poetry collection filled with as much sea and wind as a house on the coast of an island. Conversing with a variety of artists … Read more

An Aesthetic of Regret in “The Disappeared” – Chicago Review of Books

An Aesthetic of Regret in “The Disappeared” – Chicago Review of Books

[ad_1] In the first story of Andrew Porter’s latest collection, The Disappeared, the narrator is a guest at a house party in Austin, Texas. He is middle-aged with a wife and two kids, and it’s his first time seeing his old friends together for some time. While they sit around a fire pit smoking cigarettes … Read more

Living Between Lyric in “After Sappho” – Chicago Review of Books

Living Between Lyric in “After Sappho” – Chicago Review of Books

[ad_1] Reworking, adaptation, reconsideration. There is always an appeal to mining the Ancient Greek poets for a timely retelling. Most recently—with the likes of Madeleine Miller’s Circe and Pat Barker’s two Trojan novels, The Silence of the Girls and The Women of Troy—there has been an interest in shifting the balance by gifting the often … Read more

Writing as Living in “A Horse at Night” – Chicago Review of Books

Writing as Living in “A Horse at Night” – Chicago Review of Books

[ad_1] In its long and popular history with writing, the term “craft” and its associates—“toolbox,” “workshop,” “mechanics”—have always looked somewhat incongruous. Rather than bring the poet to mind, they evoke the technician or the engineer, paring back emotional intimacy in favor of writing’s nuts and bolts. Think of Kurt Vonnegut charting plot on a blackboard … Read more