Coping with Life and its End in “The Believer” – Chicago Review of Books

Coping with Life and its End in “The Believer” – Chicago Review of Books

[ad_1] I’ve heard people claim that they wish that they were religious in the fundamentalist mode, because it would be so much easier. Easier, they mean, because while the non-believer is a grown-up person who understands that God—like Santa; or like notions of fairness and romance—is dead, the believer still trusts with childish naivety in … Read more

The Art of Dying in “Aurelia, Aurélia” – Chicago Review of Books

The Art of Dying in “Aurelia, Aurélia” – Chicago Review of Books

[ad_1] Maybe it’s odd to compare your husband’s cancer diagnosis to the plot of Lost. Maybe it’s odd to recognize the absurdity of death’s first partial hold on us in the structure of a television show. Yet this is precisely what Kathryn Davis does in her memoir: she sees that “the system governing [cancer’s] bestowal … Read more

The Bonds that Make Family in “Chorus” – Chicago Review of Books

The Bonds that Make Family in “Chorus” – Chicago Review of Books

[ad_1] In Rebecca Kauffman’s fourth novel, Chorus, family relationships, especially those between siblings, are dissected to expose all their messy and glorious complexities. Kauffman accomplishes her dissection of the Shaw family through a linked-story structure. The narrator’s role rotates among the seven Shaw siblings and their father and spans from 1911 to 1959, though not … Read more

An Interview With Greer Macallister – Chicago Review of Books

An Interview With Greer Macallister – Chicago Review of Books

[ad_1] “Branding.” Authors hear that word a lot: what’s your brand, how are you branding yourself, does X fit with your brand? Over the course of a writing career, many authors focus on a particular genre, era, or setting to brand their work. But even when you’re perfectly happy in your genre and your brand—like … Read more

Examining the Problem Novel in “Pyre” – Chicago Review of Books

Examining the Problem Novel in “Pyre” – Chicago Review of Books

[ad_1] My knowledge of Tamil is limited to my father’s voice. It is not his first language but it’s the one, to him, forever linked to literature. I recognize the lilt and sounds of the Tamil language but am unable to read it written, or even parse out individual spoken words. It is with gratitude … Read more

Wounds, Throbs, and Cures in “Chilean Poet” – Chicago Review of Books

Wounds, Throbs, and Cures in “Chilean Poet” – Chicago Review of Books

[ad_1] Some people live without needing literature. They summer in vacation homes, host parties, marry sweethearts with perfect smiles, bear children who will become not followers but influencers, and pass peacefully in their sleep with smooth faces. The rest of us read books. We chase romance at bonfires and dive bars, trudge through blizzards for … Read more

Art in the Face of Collapse in “Pure Colour” – Chicago Review of Books

Art in the Face of Collapse in “Pure Colour” – Chicago Review of Books

[ad_1] When we first meet Mira, the protagonist of Sheila Heti’s stunning, elegiac new novel Pure Colour, the universe is a roughly hewn first draft destined for the rubbish bin. Mira has just been accepted to study at the American Academy of American Critics. She works at a lamp store surrounded by bijoux glass. Her … Read more

The Last Vestige of an Old Order in “The Nineties” – Chicago Review of Books

The Last Vestige of an Old Order in “The Nineties” – Chicago Review of Books

[ad_1] As I approach middle age, my brain has started to shrivel into the pickled nostalgia that’s the birthright of every generation, and because I attended high school during the ’90s, I’ve relived fantasies of youth by continually playing the music that was popular then, even if I didn’t actually listen to that same music … Read more

What Reality TV Says About Us” – Chicago Review of Books

What Reality TV Says About Us” – Chicago Review of Books

[ad_1] Refreshingly, sociologist Danielle J. Lindemann, author of True Story: What Reality TV Says About Us isn’t interested in asking whether or not reality TV is “really real.” This question, she says, misses the point. The genre demonstrates that “all reality is socially constructed.” Unscripted programming plays a role in shaping the narratives we hold … Read more

The Strangeness of Life vs. Fiction in “Be Here to Love Me at the End of the World” – Chicago Review of Books

The Strangeness of Life vs. Fiction in “Be Here to Love Me at the End of the World” – Chicago Review of Books

[ad_1] Sasha Fletcher is a poet who has catapulted himself onto the fiction scene with his first novel, Be Here to Love Me at the End of the World. An unpolished description of the text could be the following: an absurdist, historical fiction love story set in the near future. Sam and Eleanor are an … Read more