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Aaron Coats

The Women Can Save Themselves in “A Dangerous Business” – Chicago Review of Books

The Women Can Save Themselves in “A Dangerous Business” – Chicago Review of Books

Categories Book ReviewsDecember 12, 2022 by Aaron Coats
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Jane Smiley’s newest novel A Dangerous Business begins in the 1850s. The Gold Rush is in full swing as the American Civil War begins bubbling … Read More

Beware the Power of Social Capital in “Face” – Chicago Review of Books

Beware the Power of Social Capital in “Face” – Chicago Review of Books

Categories Book ReviewsNovember 23, 2022 by Aaron Coats
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The world of Joma West’s debut novel, Face, is one where people can design an unborn baby that someone else delivers. Physical touch has been … Read More

Visions of Black Beauty in “Memphis” – Chicago Review of Books

Visions of Black Beauty in “Memphis” – Chicago Review of Books

Categories Book ReviewsJune 24, 2022 by Aaron Coats
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Tara M. Stringfellow’s newest novel, Memphis, captures the beauty of Black culture and how beauty is perceived by her characters. The brutality of life strips … Read More

The Strangeness of Life vs. Fiction in “Be Here to Love Me at the End of the World” – Chicago Review of Books

The Strangeness of Life vs. Fiction in “Be Here to Love Me at the End of the World” – Chicago Review of Books

Categories Book ReviewsFebruary 14, 2022 by Aaron Coats
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Sasha Fletcher is a poet who has catapulted himself onto the fiction scene with his first novel, Be Here to Love Me at the End … Read More

Carrying on the Tradition of Cultural Healing in “Shallow Waters” – Chicago Review of Books

Carrying on the Tradition of Cultural Healing in “Shallow Waters” – Chicago Review of Books

Categories Book ReviewsAugust 11, 2021 by Aaron Coats
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Anita Kopacz’s debut novel Shallow Waters is a vibrant reimagining of Yemaya, an Orisha (deity) from the Yoruba religion, and her place in American history. … Read More

A Curated Playlist for Self-Discovery in “The Fugitivities” – Chicago Review of Books

A Curated Playlist for Self-Discovery in “The Fugitivities” – Chicago Review of Books

Categories Book ReviewsJune 14, 2021 by Aaron Coats
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A debut novel should pack a wallop. Be it through the language or the themes, the feelings the text evokes in readers must be powerful … Read More

Nearly Eighty Years Later, Richard Wright’s “The Man Who Lived Underground” Emerges – Chicago Review of Books

Nearly Eighty Years Later, Richard Wright’s “The Man Who Lived Underground” Emerges – Chicago Review of Books

Categories Book ReviewsApril 21, 2021 by Aaron Coats
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Before Ralph Ellison’s unnamed narrator took residence beneath the surface of the world in Invisible Man, there was Fred Daniels—the protagonist of Richard Wright’s long-awaited … Read More

The Fire of Trauma in “The Ancient Hours” – Chicago Review of Books

The Fire of Trauma in “The Ancient Hours” – Chicago Review of Books

Categories Book ReviewsDecember 15, 2020 by Aaron Coats
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The first sentence of Michael Bible’s latest novel, The Ancient Hours, is a lie. “We were innocent,” is an immediate provocation that gives the impression … Read More

Storytelling is Power in “A Girl is a Body of Water” – Chicago Review of Books

Storytelling is Power in “A Girl is a Body of Water” – Chicago Review of Books

Categories Book ReviewsSeptember 9, 2020 by Aaron Coats
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Kirabo presses against the boundaries of tradition in her small village of Nattetta, Uganda. She does not outright reject her people’s customs, but her desire … Read More

Finding What’s Lost in ‘Empire of Wild’ – Chicago Review of Books

Finding What’s Lost in ‘Empire of Wild’ – Chicago Review of Books

Categories Book ReviewsJuly 29, 2020 by Aaron Coats
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Cherie Dimaline is a writer of indigenous stories. Her newest novel, Empire of Wild, focuses on a community of displaced Métis descendants who ended up … Read More

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