At the Edge of “A Bed for the King’s Daughter” – Chicago Review of Books

At the Edge of “A Bed for the King’s Daughter” – Chicago Review of Books

[ad_1] The grounds upon which A Bed for the King’s Daughter was passed up by English-language publishers also mark, perhaps unsurprisingly, the roots of its merits. Sawad Hussain samples these rejections in her translator’s note. That the twenty-two micro-fictions in Shahla Ujayli’s proportionately short collection were considered on the submission circuit to be “too short,” “too experimental,” or … Read more

The Delicate Boundaries of Life in “The Dangers of Smoking in Bed” – Chicago Review of Books

The Delicate Boundaries of Life in “The Dangers of Smoking in Bed” – Chicago Review of Books

[ad_1] Lauded Argentine journalist and author of Things We Lost in the Fire, Mariana Enríquez again delivers intrigue and brutality in her latest story collection, The Dangers of Smoking in Bed, translated from the Spanish by Megan McDowell. Stories of spirits and disappearances collectively address the mystery of loss through narratives that are as gripping … Read more

Erosion, Tension, and Outrage in “Summerwater” – Chicago Review of Books

Erosion, Tension, and Outrage in “Summerwater” – Chicago Review of Books

[ad_1] Sarah Moss’s seventh novel, Summerwater, follows her acclaimed Ghost Wall (2018), and takes its cue from 19th century English poet Sir William Watson’s “The Ballad of Semerwater.” The poem tells an old legend about a mysterious traveling beggar who arrives in the prosperous town of Semerwater in northern England’s Yorkshire Dales. In response to … Read more

American Racism, American Reckoning in “White Freedom” – Chicago Review of Books

American Racism, American Reckoning in “White Freedom” – Chicago Review of Books

[ad_1] Editor’s Note: This book and this review were written before the insurrection against the United States Capitol on January 6th, 2021 1. Two events in recent history: In April and May of 2020, a series of demonstrations took place inside and around the state Capitol in Lansing, Michigan. Demonstrators gathered in protest of recent … Read more

The Complicated Nature of Justice and Power in “Remote Control” – Chicago Review of Books

The Complicated Nature of Justice and Power in “Remote Control” – Chicago Review of Books

[ad_1] Sankofa is the adopted daughter of Death. With a glowing green light that comes from within her, she can take the lives of those around her. Nnedi Okorafor’s newest novella, Remote Control, introduces Sankofa through the stories many people tell about her—she is Death’s own remote control, they say. When she touches technology, it … Read more

Connection in the Face of Cataclysm in “The Effort” – Chicago Review of Books

Connection in the Face of Cataclysm in “The Effort” – Chicago Review of Books

[ad_1] Our civilization has always had a precarious grasp on existence, although between the pandemic and the climate-induced natural disasters of the past year, collapse feels a bit more imminent. Claire Holroyde would like to add another fear to our anxiety: dark comets. In her debut novel, The Effort, a comet large enough to extinguish … Read more

“Life Among the Terranauts” Reinforces Caitlin Horrocks’s Status as a Maestro of Short Fiction – Chicago Review of Books

“Life Among the Terranauts” Reinforces Caitlin Horrocks’s Status as a Maestro of Short Fiction – Chicago Review of Books

[ad_1] Caitlin Horrocks’s second collection, Life Among the Terranauts, is compiled of humorous and tenacious stories that serve as a reminder that the flyover states are rife with folklore and intrigue. The sense of place matches the sense of wonder, a perfect amalgamation of geography and plot. I couldn’t help but be reminded of Bonnie … Read more

Quiet Grief and Great, Wild Places in “Unsolaced” – Chicago Review of Books

Quiet Grief and Great, Wild Places in “Unsolaced” – Chicago Review of Books

[ad_1] “Home has no walls, no ceiling, nor is its purpose to protect.” So declares Gretel Ehrlich about the moment she identified Wyoming as home in 1975, at age 29, reeling from grief at the loss of her partner and creative collaborator. It’s an authoritative statement and the tone resists contradiction, though it’s not the … Read more