Magic and Momentum in “Hell Bent” – Chicago Review of Books

Magic and Momentum in “Hell Bent” – Chicago Review of Books

[ad_1] Fantasy is all about situating the reader in a compelling fictional world, but some worlds are more fictional than others. Some authors in the genre excel at putting fantasy first, creating new worlds so different from our own that they have their own geography, magic, culture, conventions, and language. Others sketch the outlines of … Read more

Suzette & Maple & Agnes in “Nobody’s Magic” – Chicago Review of Books

Suzette & Maple & Agnes in “Nobody’s Magic” – Chicago Review of Books

[ad_1] Sometimes, when characters are truly iconic, t-shirts are made with their names. There’s one with characters from A Little Life, “Jude & JB & Willem & Malcolm,” because, regardless of what one thinks of Hanya Yanagihara’s novel, these four undeniably come to life over those eight hundred-plus pages. Destiny O. Birdsong’s debut novel, Nobody’s … Read more

Through Magic to Realism in “Caul Baby” – Chicago Review of Books

Through Magic to Realism in “Caul Baby” – Chicago Review of Books

[ad_1] In a powerful essay for The Nation, Toni Morrison recalled “feeling helpless” in 2004’s political climate. A friend called, cheering her. “This is precisely the time when artists go to work,” he said. “Not when everything is fine, but in times of dread.” Morgan Jerkins has already shown herself as a writer who goes to work … Read more

The Magic of Food in Fiction

The Magic of Food in Fiction

[ad_1] “Eating and reading are two pleasures that combine admirably.” —C.S. Lewis Take a seat at the table, get comfortable, and let’s talk about the magic of food in fiction. No matter how our memories come to us—whether an involuntary sensorial moment (explained best in Marcel Proust’s famous tea-soaked madeleine episode from In Search of … Read more

Marginalization and Magic in “Master of Poisons” – Chicago Review of Books

Marginalization and Magic in “Master of Poisons” – Chicago Review of Books

[ad_1] Approaching a genre for the first time is like learning a new language. Sifting through the impenetrable for words you understand, learning the conventions and tropes as one would nouns, adjectives, and verbs. And while most start with simple phrases, others take on ambitious, intimidating projects and throw themselves in headfirst. I, a new … Read more