Eternal Return in “Committed: On Meaning and Madwomen”

Eternal Return in "Committed: On Meaning and Madwomen"

[ad_1] Suzanne Scanlon’s Committed: On Meaning and Madwomen excavates some of her most formative memories for clues to her evolving selfhood. The death of her mother when Scanlon was nine years old, her relationship to literature, particularly the writings of Marguerite Duras, and her years spent institutionalized are linchpins in this layered examination of sanity … Read more

The Return of “The Red-Headed Pilgrim” – Chicago Review of Books

The Return of “The Red-Headed Pilgrim” – Chicago Review of Books

[ad_1] I’d like to ask Kevin Maloney if he’s familiar with “Return of the Grievous Angel,” the Gram Parsons’ song with themes of wandering, life on the road, and a kind of longing that leads to an inevitable return. I kept hearing this song in my head as I read Maloney’s novel The Red-Headed Pilgrim, … Read more

The Eternal Return of Conflict in “Before the Rain” – Chicago Review of Books

The Eternal Return of Conflict in “Before the Rain” – Chicago Review of Books

[ad_1] It’s a recognizably portentous way to begin a war film: a field of farmers bent over stalks of tomato plants, picking their crop under a blazing sun. Viewers like myself, accustomed to Deer Hunters and Apocalypse Nows, will be primed for these peasants to be mowed down momentarily in a hail of machine gunfire. … Read more

A Long-Awaited Return in “Paris is a Party, Paris is a Ghost” – Chicago Review of Books

A Long-Awaited Return in “Paris is a Party, Paris is a Ghost” – Chicago Review of Books

[ad_1] In the summer of 2007, a short story by a young Korean-American writer named David Hoon Kim appeared in the pages of The New Yorker. It was Kim’s first published work of fiction. This auspicious beginning is normally the stuff of literary legend, about as straight-line a course for a book deal as a … Read more

A Return to the Outworlds in “This Virtual Night” – Chicago Review of Books

A Return to the Outworlds in “This Virtual Night” – Chicago Review of Books

[ad_1] This Virtual Night returns us to “The Outworlds,” C.S. Friedman’s quietly intriguing science-fictional universe. The world Friedman painted in 1998’s This Alien Shore, a cyberpunk-flavored space adventure, felt ahead of its time: entire cultures built around physical and mental diversity, with strange and evocative embellishments. In this future, humanity settled distant planets using a … Read more