A Form that Can Hold and Transform in “Very Cold People” – Chicago Review of Books
[ad_1] As a poet and nonfiction writer, Sarah Manguso is known for her gifts of compression. In 2017’s 300 Arguments—a work consisting of short, aphoristic sections of prose—she writes, “I don’t write long forms because I’m not interested in artificial deceleration. As soon as I see the glimmer of a consequence, I pull the trigger.” … Read more