Love is a Mixtape Worth Living For in “I Love You So Much It’s Killing Us Both” – Chicago Review of Books

Love is a Mixtape Worth Living For in “I Love You So Much It’s Killing Us Both” – Chicago Review of Books

[ad_1] Love is a dangerous and frustrating emotion for Mariah Stovall’s main characters in her novel, I Love You So Much It’s Killing Us Both. Khaki Oliver is a socially awkward Black woman who was born punk. She mostly interacts with the world through the lens of music as evidenced by the book’s title, which … Read more

The People vs. Gentrification in “Brooklyn Crime Novel” – Chicago Review of Books

The People vs. Gentrification in “Brooklyn Crime Novel” – Chicago Review of Books

[ad_1] Jonathan Lethem’s newest book, Brooklyn Crime Novel, is proof positive he unequivocally loves Brooklyn. His command of place and time is ever-present in this work: he mixes fond remembrance with futuristic language told through a narrator who knows the ending but enjoys telling the tale—and teasing his audience—because it’s his to tell. Brooklyn is … Read more

Searching for Memory’s Rightful Place in “Oh God, the Sun Goes” – Chicago Review of Books

Searching for Memory’s Rightful Place in “Oh God, the Sun Goes” – Chicago Review of Books

[ad_1] The debut novel of David Connor, Oh God, The Sun Goes, takes audiences on a cerebral ride—both literally and figuratively—journeying within a story that could sit comfortably on the shelf of multiple genres. From mystery to science fiction, to biological place fiction (if such a thing exists), Connor flexes his creativity and cognitive neuroscience … Read more

On Love, Trauma, and Music in “Notes on Her Color” – Chicago Review of Books

On Love, Trauma, and Music in “Notes on Her Color” – Chicago Review of Books

[ad_1] Notes on Her Color is not only a debut novel by Jennifer Neal, but also a musical composition. Each word is a note carefully considered before being etched onto the page with the hope of bringing art to life and feelings to the surface. Gabrielle is a young woman living in hell. Her father … Read more

Trauma, T.V. and Time Travel Shape Identity in “Flux” – Chicago Review of Books

Trauma, T.V. and Time Travel Shape Identity in “Flux” – Chicago Review of Books

[ad_1] Jinwoo Chong’s debut novel Flux bends time and identity equally as three characters take turns sharing the narrative spotlight in a story that explores trauma, regret, Americanness and dealing with everything in between. Bo, who is eight years old, suffers the tragic loss of his mother and finds solace in a detective show. Brandon, … Read more

The Women Can Save Themselves in “A Dangerous Business” – Chicago Review of Books

The Women Can Save Themselves in “A Dangerous Business” – Chicago Review of Books

[ad_1] Jane Smiley’s newest novel A Dangerous Business begins in the 1850s. The Gold Rush is in full swing as the American Civil War begins bubbling to the surface of society. Eliza literally makes a name for herself—changing her last name from Cargill to Ripple—by seeking employment at a brothel in Monterey, California after the … Read more

Beware the Power of Social Capital in “Face” – Chicago Review of Books

Beware the Power of Social Capital in “Face” – Chicago Review of Books

[ad_1] The world of Joma West’s debut novel, Face, is one where people can design an unborn baby that someone else delivers. Physical touch has been rendered obsolete. Individuals called menials are “programmed” to serve other people without question. Romantic relationships have evolved into transactional partnerships between people based on personal gain. What’s most compelling … Read more

The Strangeness of Life vs. Fiction in “Be Here to Love Me at the End of the World” – Chicago Review of Books

The Strangeness of Life vs. Fiction in “Be Here to Love Me at the End of the World” – Chicago Review of Books

[ad_1] Sasha Fletcher is a poet who has catapulted himself onto the fiction scene with his first novel, Be Here to Love Me at the End of the World. An unpolished description of the text could be the following: an absurdist, historical fiction love story set in the near future. Sam and Eleanor are an … Read more

Carrying on the Tradition of Cultural Healing in “Shallow Waters” – Chicago Review of Books

Carrying on the Tradition of Cultural Healing in “Shallow Waters” – Chicago Review of Books

[ad_1] Anita Kopacz’s debut novel Shallow Waters is a vibrant reimagining of Yemaya, an Orisha (deity) from the Yoruba religion, and her place in American history. The story of Yemaya was passed down through oral tradition, brought to the “New World” by enslaved Africans as early as the 16th century. In Shallow Waters, Yemaya exists … Read more

A Curated Playlist for Self-Discovery in “The Fugitivities” – Chicago Review of Books

A Curated Playlist for Self-Discovery in “The Fugitivities” – Chicago Review of Books

[ad_1] A debut novel should pack a wallop. Be it through the language or the themes, the feelings the text evokes in readers must be powerful and undeniable. Jesse McCarthy’s novel The Fugitivities does just that, and can perhaps be best explained as a music playlist curated by the likes of authors Jonathan Lethem and … Read more