Writing the Unspeakable in “Aftermath” – Chicago Review of Books

Writing the Unspeakable in “Aftermath” – Chicago Review of Books

[ad_1] For three years, Preti Taneja taught creative writing in a program overseen by Cambridge University called Learning Together, in which undergraduates travelled to a local high-security prison to study alongside prisoners. On November 29, 2019, Usman Khan, a former prisoner and one of Taneja’s former students, travelled to London to attend an event at … Read more

Suffering and Strength in “The Women of Troy” – Chicago Review of Books

Suffering and Strength in “The Women of Troy” – Chicago Review of Books

[ad_1] The literary critic James Wood once wrote dismissively of historical fiction, saying that it is “merely science fiction facing backwards.” We inject the concerns of the present into the past, Wood suggests, the same way that we do when we write about the imaginary future, and this can result in a text that feels … Read more

The Body and Environment in “Variations on the Body” – Chicago Review of Books

The Body and Environment in “Variations on the Body” – Chicago Review of Books

[ad_1] The characters in María Ospina’s debut collection are haunted by the marks that time and trauma have left upon their bodies. Variations on the Body (translated from the Spanish by Heather Cleary) features a cast of loosely connected characters, all hailing from Ospina’s hometown of Bogotá, Colombia. Thematically, with its emphasis on the complex … Read more

Mariana Oliver’s “Migratory Birds” – Chicago Review of Books

Mariana Oliver’s “Migratory Birds” – Chicago Review of Books

[ad_1] “Home is a route anchored in memory,” writes Mariana Oliver in Migratory Birds. These short, lyric essays explore notions of migration and the ways that language both complicates and enriches the search for home. Oliver was born and resides in Mexico City, and Migratory Birds, her debut, received the José Vasconcelos National Young Essay … Read more

A Fantastical and Mesmerizing Narrative in Yelena Moskovich’s “A Door Behind a Door” – Chicago Review of Books

A Fantastical and Mesmerizing Narrative in Yelena Moskovich’s “A Door Behind a Door” – Chicago Review of Books

[ad_1] Yelena Moskovich’s third novel A Door Behind a Door is a phantasmagoria about immigration, death, and queer desire with a plot that defies easy description. It centers on a young immigrant in Milwaukee named Olga. When Olga was a baby back in the Soviet Union, a boy in her apartment building stabbed an old … Read more

Realism and Surrealism in “Leonora in the Morning Light” – Chicago Review of Books

Realism and Surrealism in “Leonora in the Morning Light” – Chicago Review of Books

[ad_1] The surrealist painter Leonora Carrington is enjoying a renaissance of late, with renewed interest in both her visual art and literary work. The last few years have seen the publication of The Complete Stories of Leonora Carrington (Dorothy Press), the memoir Down Below (New York Review Books), and, just this January, Carrington’s masterpiece The … Read more

The Open Space of Uncertainty in “Rabbit Island” – Chicago Review of Books

The Open Space of Uncertainty in “Rabbit Island” – Chicago Review of Books

[ad_1] “For me, ghosts are never the spirits of strangers. They are the people I love most dearly,” confesses the narrator of one of the stories in Elvira Navarro’s collection Rabbit Island. Translated from the Spanish by Christina MacSweeney, these stories often cross the line between delusion and reality, constructs that in Navarro’s hands prove … Read more

Belonging and metaphysical horror in “That Time of Year” – Chicago Review of Books

Belonging and metaphysical horror in “That Time of Year” – Chicago Review of Books

[ad_1] It’s hard to sum up Marie NDiaye’s That Time of Year (Un temps de saison, translated from French by Jordan Stump), a short novel that unfolds with a dreamlike logic. Every year Herman, a math teacher from Paris, spends the month of August with his wife Rose and their son in a small country … Read more