A Transformation Unnamed in “GIRL” – Chicago Review of Books

A Transformation Unnamed in “GIRL” – Chicago Review of Books

[ad_1]  “Some languages, but by no means all, have the luxury of the word ‘daughter,’ but in many—and French is one of them—your sex is not distinct from your relationship to your parents. You will only ever have this one word to describe your being and your lineage, your dependence and your identity.” This entwinement … Read more

Our Adolescent Nation in “Teenager” – Chicago Review of Books

Our Adolescent Nation in “Teenager” – Chicago Review of Books

[ad_1] Bud Smith is kind of a legend. The Jersey City writer has been publishing since 2009, but has been writing for much longer. Under his belt he’s got a story collection (Double Bird, Maudlin House), a poetry collaboration with his wife, Rae Buleri (Dust Bunny City, Disorder Press), a memoir (WORK, Civil Coping Mechanisms), … Read more

Your Favorite Book with Nghi Vo – Chicago Review of Books

Your Favorite Book with Nghi Vo – Chicago Review of Books

[ad_1] Welcome to another installment of a collaboration between the Chicago Review of Books and the Your Favorite Book podcast. Malavika Praseed, frequent CHIRB contributor and podcast host, seeks to talk to readers and writers about the books that light a fire inside them. What’s your favorite book and why? Our guest is Nghi Vo, … Read more

Seduction is Performance in “Acts of Service” – Chicago Review of Books

Seduction is Performance in “Acts of Service” – Chicago Review of Books

[ad_1] There are good reasons why love triangles appear so often in literary plots. Triangles are inherently unstable. They force characters to make choices through constant negotiation and compromise. As far as triangles go, the one in Lillian Fishman’s debut novel Acts of Service is a perfectly messy inquiry into the nature of power and … Read more

The Art of the Smith in “Companion Piece” – Chicago Review of Books

The Art of the Smith in “Companion Piece” – Chicago Review of Books

[ad_1] “There’s a way to be playful even in times of really terrible doubt,” posits the narrator of Ali Smith’s new novel Companion Piece. It’s hard to think of an author more playful than Smith, whose work consistently breaks the conventional rules of contemporary fiction as taught in most American MFA programs—with consistently incandescent results. … Read more

The Ruptures of Maternal Creativity in “Linea Nigra” – Chicago Review of Books

The Ruptures of Maternal Creativity in “Linea Nigra” – Chicago Review of Books

[ad_1] Conception is a dynamic process of bringing the self and the other into that most intimate proximity. If books about motherhood and pregnancy constitute a literary genre, then conception—and its conceptual location between sexual reproduction and artistic production—is this genre’s most frequent trope. For English-speaking readers, Rivka Galchen’s 2016 Little Labors and Sheila Heti’s … Read more

Living as a Twenty-First Century Mother in “The Year of the Horses” – Chicago Review of Books

Living as a Twenty-First Century Mother in “The Year of the Horses” – Chicago Review of Books

[ad_1] Courtney Maum’s new memoir, The Year of the Horses, uses her story of falling in love with horses and playing polo as an adult to reckon with how to exist not only as a mother, but also as a human. Maum, a writer propelled by deadlines and busyness, wrestles with the all-consuming question of … Read more

Vauhini Vara on the Dystopian Aspects of Technology, Capitalism and Privilege in “The Immortal King Rao” – Chicago Review of Books

Vauhini Vara on the Dystopian Aspects of Technology, Capitalism and Privilege in “The Immortal King Rao” – Chicago Review of Books

[ad_1] Journalist Vauhini Vara’s debut novel, The Immortal King Rao, takes us to a dark future where humans are “Shareholders” governed by a global corporation. Decisions are made not by human heads of state, but through a master algorithm called Algo. There is no longer a need for currency, as Shareholders’ labor is evaluated by … Read more

Dennis Hopper’s Gilded Days in “Everybody Thought We Were Crazy” – Chicago Review of Books

Dennis Hopper’s Gilded Days in “Everybody Thought We Were Crazy” – Chicago Review of Books

[ad_1] Brooke Hayward describes her years married to Dennis Hopper as “the most wonderful and awful of my life.” In Mark Rozzo’s hands, this goes double for the 1960s, a decade their marriage almost perfectly spanned. His new book Everybody Thought We Were Crazy is an exhaustively researched portrait of Hopper and Hayward’s marriage as … Read more