The Translator’s Voice — Alison Anderson on Translating Muriel Barbery’s “One Hour of Fervor” – Chicago Review of Books

The Translator’s Voice — Alison Anderson on Translating Muriel Barbery’s “One Hour of Fervor” – Chicago Review of Books

[ad_1] The Translator’s Voice is a new column from Ian J. Battaglia here at the Chicago Review of Books, dedicated to global literature and the translators who work tirelessly to bring these books to the English-reading audience. Subscribe to his newsletter to get notified of new editions as well as other notes on writing, art, … Read more

A First Look at Cavar’s “Failure to Comply” – Chicago Review of Books

A First Look at Cavar’s “Failure to Comply” – Chicago Review of Books

[ad_1] The Chicago Review of Books is excited to feature the cover reveal of Cavar’s debut novel, “Failure to Comply.” The blurb, author bio, and quotes that follow are all courtesy of the book’s publicist, Addie Tsai: “Failure to Comply is an abolitionist text concerned with trans, disabled, and Mad liberation as a speculative art…Every story … Read more

Time Stands Still in “The Singularity” – Chicago Review of Books

Time Stands Still in “The Singularity” – Chicago Review of Books

[ad_1] At the very beginning of Balsam Karam’s novel The Singularity (translated from the Swedish by Saskia Vogel), a pregnant woman stands witness as a woman lets herself fall off a cliff in her sightline, disappearing silently into the ocean. From there, time unspools forward and backwards, giving the reader insight into both past and … Read more

The Gallows Humor of Alexander Sammartino’s “Last Acts” – Chicago Review of Books

The Gallows Humor of Alexander Sammartino’s “Last Acts” – Chicago Review of Books

[ad_1] It is difficult to talk about guns in America without talking about denial. With every new tragedy, we look the other way in a naive attempt to escape responsibility for our role in sustaining the cycle of gun violence.  Alexander Sammartino shows a keen sensitivity to this dynamic in his raucous, irreverent debut novel, … Read more

Christina Cooke on her debut novel, “Broughtupsy” – Chicago Review of Books

Christina Cooke on her debut novel, “Broughtupsy” – Chicago Review of Books

[ad_1] In Christina Cooke’s debut novel, Broughtupsy, a young woman, Akúa, whose family has been unmoored and adrift since the death of her mother, is on a mission. Akúa’s father moves the family first to Texas, then to Vancouver, but Akúa’s older sister, Tamika, travels back to Jamaica, leaving Akúa and their younger brother Bryson … Read more

One in a Millennial Review – Chicago Review of Books

One in a Millennial Review – Chicago Review of Books

[ad_1] Kate Kennedy is a woman who finds herself at a crossroads. Growing up under fourth wave feminism, she still felt the undeniable siren song of quintessential womanhood past: join a sorority, get married, have a kid. “[There are] the traditional values we held growing up versus the opportunities that greeted us once we did,” … Read more

Missing Links in “Where You End” – Chicago Review of Books

Missing Links in “Where You End” – Chicago Review of Books

[ad_1] Abbott Kahler’s debut thriller, Where You End, follows the twenty-two-year-old Bird sisters after a car accident leaves Kat with no memories save the name and face of her twin, Jude; remnants of the unique language they have shared since childhood; and an unexplained ability to defend herself. The story is comprised of Kat’s perspective … Read more

What’s in a Name? A Conversation with Sarah Ghazal Ali – Chicago Review of Books

What’s in a Name? A Conversation with Sarah Ghazal Ali – Chicago Review of Books

[ad_1] Very early in my spiritual education, I was taught by my elders to be cautious about making claims. One reason for this caution—particularly when it comes to making claims about oneself—is that claims are often rooted in the ego. They betray the fact that so much of what we claim about ourselves can be … Read more