Traumatic Repetition and Fresh Starts in “Lone Women” – Chicago Review of Books

Traumatic Repetition and Fresh Starts in “Lone Women” – Chicago Review of Books

[ad_1] The Western, as a genre, is rife with horrific elements: its frequently alienating landscapes, its history of violence, and its strange and unrestrained collision of cultures. In Lone Women, Victor LaValle takes horrors both human and supernatural as his subject: a haunted vision of the American dream that accelerates into a bloody exploration of … Read more

Enchanted Retellings in Kelly Link’s “White Cat, Black Dog” – Chicago Review of Books

Enchanted Retellings in Kelly Link’s “White Cat, Black Dog” – Chicago Review of Books

[ad_1] Kelly Link’s fiction always brings to my mind the old-timey phrase “spinning a yarn.” Although I’ve learned this idiom has nautical origins, for me, it evokes spindles, spinning wheels, and the realm of folktales. And while Link tends to reinvent her own style so that no two stories are alike, all of them can … Read more

A First Look at S.L. Wisenberg’s “The Wandering Womb” – Chicago Review of Books

A First Look at S.L. Wisenberg’s “The Wandering Womb” – Chicago Review of Books

[ad_1] The following excerpt is from S.L. Wisenberg’s The Wandering Womb: Essays in Search of Home. Spanning years and continents, this new collection follows Wisenberg as she combs through history books and family records in her search for home and meaning. S.L. Wisenberg is editor of Another Chicago Magazine and author of the fiction collection, The Sweetheart … Read more

An Interview with Laura Spence-Ash on “Beyond That, the Sea” – Chicago Review of Books

An Interview with Laura Spence-Ash on “Beyond That, the Sea” – Chicago Review of Books

[ad_1] Laura Spence-Ash’s debut novel, Beyond That, the Sea, spans thirty years, two continents, and eight points of view, but it never loses focus, momentum, or its loving attention to detail. As German bombs fall over London in 1940, Millie and Reginald Thompson make the difficult choice to send their eleven-year-old daughter, Bea, to America … Read more

Ambiguity and Humanity in “The Strange” – Chicago Review of Books

Ambiguity and Humanity in “The Strange” – Chicago Review of Books

[ad_1] Nathan Ballingrud’s The Strange is set on Mars in the early 20th century—not a scientifically accurate Mars, but one more like Ray Bradbury’s Martian Chronicles or earlier planetary romance, with a breathable atmosphere and signs of earlier civilizations. Colonized by Americans, among others, this is a distinctly frontier-like Mars, with most of the main … Read more

An Excerpt from Charif Shanahan’s Latest Collection, “Trace Evidence” – Chicago Review of Books

An Excerpt from Charif Shanahan’s Latest Collection, “Trace Evidence” – Chicago Review of Books

[ad_1] Poet Charif Shanahan’s work has garnered an impressive list of accolades. His first collection, Into Each Room We Enter Without Knowing, was selected by Allison Joseph as the winner of the Crab Orchard Series in Poetry First Book Award, and it was a finalist for the Lambda Literary Award for Gay Poetry and the … Read more

Trauma, T.V. and Time Travel Shape Identity in “Flux” – Chicago Review of Books

Trauma, T.V. and Time Travel Shape Identity in “Flux” – Chicago Review of Books

[ad_1] Jinwoo Chong’s debut novel Flux bends time and identity equally as three characters take turns sharing the narrative spotlight in a story that explores trauma, regret, Americanness and dealing with everything in between. Bo, who is eight years old, suffers the tragic loss of his mother and finds solace in a detective show. Brandon, … Read more