Translation as Art and Science in “Translating Myself and Others” – Chicago Review of Books

Translation as Art and Science in “Translating Myself and Others” – Chicago Review of Books

[ad_1] It is tempting to separate the arc of Jhumpa Lahiri’s career in two distinct eras—her early work, sparse, understated fiction of the Indian diaspora, and her later work, in and out of the Italian language and immersed in Italian culture. Yet, upon reading her collection of essays Translating Myself and Others, which focuses primarily … Read more

Loving, Hating, Living, and Transcending the Canon in “Either/Or” – Chicago Review of Books

Loving, Hating, Living, and Transcending the Canon in “Either/Or” – Chicago Review of Books

[ad_1] “Generous reading” is an approach to ideas that was in vogue among my friends in college. In brief, its precepts demand that new and even disagreeable arguments be afforded as much credence as possible. One could be critical only after deeply entertaining the worldview presented, suspending disbelief beyond the confines of fiction. But when … Read more

The Mirror Prismatic in Lydia Conklin’s “Rainbow Rainbow” – Chicago Review of Books

The Mirror Prismatic in Lydia Conklin’s “Rainbow Rainbow” – Chicago Review of Books

[ad_1] Captivating and brimming with love for queer life in all its weird glory, Lydia Conklin’s debut collection is by turns exuberant, tragic, funny, and whisper-quiet. Conklin’s luminescent portrayals open a doorway into the queer universe for readers of all stripes. Walk through, Conklin beckons, make yourself at home. This collection takes its title, Rainbow … Read more

Escaping Patriarchal Exploitation in ‘Avalon’ – Chicago Review of Books

Escaping Patriarchal Exploitation in ‘Avalon’ – Chicago Review of Books

[ad_1] Nell Zink’s debut, The Wallcreeper, splashed onto the literary scene eight years ago, a slim volume about a woman trying to find her place in the world despite the patriarchy. Since then, Zink has published four more novels. In her newest, Avalon, she returns to themes found in her debut.   The protagonist and narrator, … Read more

We All Have a Hunger in “You Made a Fool of Death with Your Beauty” – Chicago Review of Books

We All Have a Hunger in “You Made a Fool of Death with Your Beauty” – Chicago Review of Books

[ad_1] Five years after the death of her husband, visual artist Feyi Adekola is starting to come out of her shell, wondering if it’s possible to love again. After some casual dating, she starts a mostly platonic—but possibly more serious—relationship with Nasir Blake, a well-connected consultant. Feyi’s personal and professional lives are suddenly thrown into … Read more

A Feel-Bad Romance” – Chicago Review of Books

A Feel-Bad Romance” – Chicago Review of Books

[ad_1] Fasten your seatbelts and make sure you know where the oxygen masks are: John Waters’ first novel Liarmouth: A Feel-Bad Romance is a hopscotching, subversive and full-versive, madcap version of Planes, Trains and Automobiles. Though I don’t want to spoil the plot’s twists and twists and twists—it’s a delicious literary strawberry Twizzler embedded with … Read more

Vulnerable Revelations in “What Flies Want” – Chicago Review of Books

Vulnerable Revelations in “What Flies Want” – Chicago Review of Books

[ad_1] Emily Pérez’s new book of poetry, What Flies Want, is a stunning look at the peripheries of womanhood and the recipient of the 2021 Iowa Poetry Prize. Her uniquely crafted poems spark fresh ideas about the trials of marriage, being female when every man is a “ticking bomb,” sexual harm, mental health, school violence, … Read more

Embracing the Eternal Present in “The Hurting Kind” – Chicago Review of Books

Embracing the Eternal Present in “The Hurting Kind” – Chicago Review of Books

[ad_1] In the first poem of the much-anticipated new collection from poet Ada Limón, The Hurting Kind, Limón wonders: “Why am I not allowed / delight? A stranger writes to request my thoughts / on suffering”. The collection that follows is Limón’s response to the stranger, and an exhortation to the reader: as much about … Read more