Gender Identity, Pop Culture Homage, & the Twenty-First-Century Western in “The Neon Hollywood Cowboy” – Chicago Review of Books

Gender Identity, Pop Culture Homage, & the Twenty-First-Century Western in “The Neon Hollywood Cowboy” – Chicago Review of Books

[ad_1] Matt Mitchell’s debut collection of poetry, The Neon Hollywood Cowboy, examines identity through the eyes of its eponymous archetype, depicting a nomadic traveler, saddled to his horseback, slipstreaming every passing moment into another literary confessional. The Neon Hollywood Cowboy represents an alter ego for Mitchell to funnel his own story through. An alter ego … Read more

A Review of “Cowboy Graves” – Chicago Review of Books

A Review of “Cowboy Graves” – Chicago Review of Books

[ad_1] It’s an unexpected delight to be able to review previously-unseen work by the late Roberto Bolaño 18 years after his death. Bolaño—the Chilean poet-novelist perhaps most known for his books The Savage Detectives and the already-posthumously published 2666, both translated into English by Natasha Wimmer—left an abundant back catalog of poetry and prose after … Read more

A Review of “Cowboy Graves” – Chicago Review of Books

A Review of “Cowboy Graves” – Chicago Review of Books

[ad_1] It’s an unexpected delight to be able to review previously-unseen work by the late Roberto Bolaño 18 years after his death. Bolaño—the Chilean poet-novelist perhaps most known for his books The Savage Detectives and the already-posthumously published 2666, both translated into English by Natasha Wimmer—left an abundant back catalog of poetry and prose after … Read more