Into the Dark and Unnerving “The Glassy, Burning Floor of Hell” – Chicago Review of Books

Into the Dark and Unnerving “The Glassy, Burning Floor of Hell” – Chicago Review of Books

[ad_1] Brian Evenson’s new collection of short stories, The Glassy, Burning Floor of Hell, is set in a not-so-distant future where the environment has unsurprisingly degraded even further than what we face now, as well as in fantasy worlds entirely unlike our own. No matter the setting, there is an ever-present sense that things are … Read more

Reflections on Democracy and Individuality in “Playlist for the Apocalypse” – Chicago Review of Books

Reflections on Democracy and Individuality in “Playlist for the Apocalypse” – Chicago Review of Books

[ad_1] Pulitzer Prize winner and former U.S. Poet Laureate Rita Dove returns after twelve years with an exquisite new poetry collection, Playlist for the Apocalypse. Her poems magnify the marginalized individual, simultaneously illuminating national and global failed attempts at democracy. As always, her words are raw, poignant, and accessible. The opening segment, “After Egypt,” came … Read more

Thrills with a Pointe in “The Turnout” – Chicago Review of Books

Thrills with a Pointe in “The Turnout” – Chicago Review of Books

[ad_1] With a Megan Abbott book, you have a good idea what you’re going to get. Ever since 2012’s Dare Me, Abbott has carved out a niche writing about women and girls in high-pressure environments, pushing back against restrictions and limitations until tempers boil over. Dare Me and You Will Know Me rendered high school … Read more

A Long-Awaited Return in “Paris is a Party, Paris is a Ghost” – Chicago Review of Books

A Long-Awaited Return in “Paris is a Party, Paris is a Ghost” – Chicago Review of Books

[ad_1] In the summer of 2007, a short story by a young Korean-American writer named David Hoon Kim appeared in the pages of The New Yorker. It was Kim’s first published work of fiction. This auspicious beginning is normally the stuff of literary legend, about as straight-line a course for a book deal as a … Read more

The Unadorned Grace of “Agatha of Little Neon” – Chicago Review of Books

The Unadorned Grace of “Agatha of Little Neon” – Chicago Review of Books

[ad_1] A common refrain in the teaching of the craft of writing, to whatever extent that can in fact be done, is that one’s form and content, story and structure, should each be sculpted with the other in mind, a sort of mechanical drinking bird for the art of fiction, where the pressures of one … Read more

Loss and Legacy in “A Farewell to Gabo and Mercedes” – Chicago Review of Books

Loss and Legacy in “A Farewell to Gabo and Mercedes” – Chicago Review of Books

[ad_1] Rodrigo García lost his mother, Mercedes Barcha Pardo, in August of 2020. Like so many others, he was kept from her bedside by COVID-19 travel restrictions. In A Farewell to Gabo and Mercedes: A Son’s Memoir, he writes:  “Unable to travel, I saw her alive for the last time on the cracked screen of … Read more

Ed Roberson’s “MPH and Other Road Poems” – Chicago Review of Books

Ed Roberson’s “MPH and Other Road Poems” – Chicago Review of Books

[ad_1] In his latest release, MPH and Other Road Poems, Ed Roberson recounts a motorcycle trip across the United States with two friends in 1970. This journey is taken through the poet’s return to a recovered manuscript previously written in that time, analogous to his own life’s ongoing journey through the Americas’ extended geographies. In … Read more

Gender and Greatness in “She Who Became the Sun” – Chicago Review of Books

Gender and Greatness in “She Who Became the Sun” – Chicago Review of Books

[ad_1] Who do stories belong to? Some would say a story belongs to the author who wrote it, and copyright law would back up that interpretation, at least for the first 75 years after publication. In the case of a story based on a person from history or myth, the discussion broadens: is ownership even … Read more

The Fleeting Oomph of “Intimacies” – Chicago Review of Books

The Fleeting Oomph of “Intimacies” – Chicago Review of Books

[ad_1] Katie Kitamura’s fourth novel, Intimacies, is deeply concerned with place. At lunch with her boss, our unnamed protagonist is asked, “Where is your family,” meaning, where do you belong? It’s a question that comes up more than once, and one the protagonist can’t answer. She’s stuck between cultures, between languages, between moral positions; even … Read more